Lambda Literary: “I’m Feelin Myself: Review Of Feelin’: Creative Practice, Pleasure, and Black Feminist Thought” (2023)

Four Way Review: “Detroit Pastoral” (2023)

Apogee: “On Beauty and Surveillance: A Review of Concentrate by Courtney Faye Taylor” (2023)

Oprah Daily: “A High School Teacher Falls for the Truths in the Fictional World of Abbott Elementary” (2022)

Underbelly Magazine: “Ice Cam, Little Ceasar’s Arena” (2022)

Room Object Anthology: “Self Portrait as K and G Deli on Warren and Conner” & “Legacy” (2021)

ArtLit Lab: Poetry Month Series: Black Girl Sips Tea With Nina Simone (2021)

Poetry Daily: “Pantoum for Postpartum” (2021)

Mississippi Review: Finalist in the Mississippi Review Contest: “Money” (2021)

Best of the Net Anthology: “Pantoum for Postpartum” (2021)

Obsidian: Literature and Arts in the African Diaspora Journal: Sestina for the Sex Talk (2021)

The Offing: “After Session Homework;” “Diagnosis” (2020)

Voicemail Poems: “The Year Caught Out There became My Theme Song” (2019)

Tinderbox, Semi-finalist for Brett Jenkins Award, “Pantoum for Postpartum” (2019)

The Break Beat Anthology: Black Girl Magic, VL.2: My Daughter Prays for a Brother and Gets One (2018)

Tinderbox Poetry: “In Response to Baby Girl Asking if It Hurts to Give Birth;” “Postpartum Depression Calls From a Blocked Number and I Answer” (2017) 

Vinyl Poetry and Prose: “Black Girl Sips Tea With Nina Simone” (2017)

3elements Review: “Granny Says Giving Birth” (2017)

Freezeray Poetry: “Nymphadora Tonks Leaves a Voicemail for Brittany Rogers after Seeing Her Leave the Bar with her Ex-Love;” “The Grieving Girl Dreams of Her Dead Best Friend” (2017)

Gramma Press: “Nymphadora Tonks Asks a Favor of Brittany Rogers;” “Portrait of a baby-mama—as displayed by ex-husband;” “What is a relationship goal to a family of divorced women?” (2017)